We crossed a parental Rubicon this weekend when we attended our kid's YMCA spring dance recital. This marks the first occasion that we have seen our kid perform in public and she gives every indication that this sort of public declaration of love to Terpsichore has provided her a heady and perhaps necessary draught. Who might have imagined that you could don construction-paper bear ears and dab your nose with mascara and then bask in vocal public acclaim for what you would have willingly done in the privacy of your own home? Certainly the first brush with public applause has made an impression on our kid (though she also not surprisingly seems to take it as her due).
At some point in the cultural extravaganza that was this past weekend -- a weekend that included a matinee performance of the local high school's production of the Wizard of Oz and a charismatic magician at a neighbor kid's birthday party -- it began to dawn on me that I had plugged into this local Keith circuit for the long haul. I suspect that our family policy is not going to veer too far from the one followed by the Trillin family of New York (N.Y.):
For a number of years, high school friends in Kansas City who were trying to be understanding about my bizarre decision to live in New York would say, 'I guess the cultural opportunities must be wonderful,' and I would always answer, 'Well, we see a lot of school plays.' By then, Alice's policy on attending school plays (a policy that also covered pageants, talent shows, reviews, recitals and spring assemblies) was well known. She believes that if your child is in a school play and you don't go to every performance, including the special Thursday matinee for the fourth grade, the county will come and take your child.
I don't want to sound as though I am complaining. My kid and I both agreed that the YMCA's adult belly-dance class performance was both entertaining and highly educational.
(A video excerpt of the kid's performance here provided courtesy of the Zapruder family.)





